By Katlynn Rossignol
In an alternate 90s, a rebellion of sentient mascot robots adds unexpected spice to the consumer-driven world of “The Electric State,” a film rooted in dystopian imagery. As alluring as its visuals are, the film stumbles as a commentary on consumerism and over-reliance on technology.
A Journey Through Robotic Ruins
“The Electric State” follows Michelle, played by the talented Millie Bobby Brown, amidst the chaos left by a robot revolution. As she embarks on a quest to locate her missing brother, humanity drapes itself in virtual reality, sinking deeper into apathy, the remnants of their own electronics strewn around them. According to Cedarville University, this technological oblivion serves as a lukewarm backdrop for the film’s narrative.
Caught in a Web of Ironies
While robots clamor for freedom from their human creators, the narrative raises promises of a biting critique against consumerism. Yet, ironically, the film indulges in heavy product placement, muddying its message. The Sentre corporation looms large but offers little beyond its role as a cliché antagonist amid Michael Bay-esque explosions and cameos.
Lost in Translation: From Book to Screen
Keeping true to Simon Stålenhag’s graphic novel, some of the film’s robot designs exude an expected menace, albeit cartoonishly presented. However, it loses the book’s deeper cynicism in the process. What was once a stark commentary is repurposed for comic relief through celebrities like Chris Pratt and Anthony Mackie, who lend their voices to quirky robot sidekicks.
The Dilemma of World-Building
The grand scope of its world overshadows Michelle’s narrative mission, leaving viewers yearning for more depth in this cinematic wasteland. The dense world-building offers glimpses of creativity but suffocates in its eagerness to parade robots in peanut-shaped vans, further devoting itself to farce instead of drama.
Entertaining, Yet Lacking Depth
Ultimately, “The Electric State” house is built on shaky foundations. The ploy of technology addiction is intriguing but overshadowed by its clumsy approach to storytelling. The film is still an enjoyable circus of special effects and celebrity faces but lacks the gravitas needed to truly reflect on consumerist cultures. A better watch among friends than learners of dystopian cautionary tales.
“Explore this enticing yet flawed sci-fi adventure now streaming on Netflix.”
Katlynn Rossignol, a junior Strategic Communications Major and A&E assistant editor for Cedars, is passionate about arts, crafts, friends, and superhero films.
Images courtesy of AGBO